Wednesday, April 3, 2013

Kristen and Briana's Lesson 1 for Commedia Unit!



Lesson One – Commedia

Grade:  11th or 12th, advanced Acting

Materials Needed : Images of characters and Commedia handout

Educational Objective:  Students will demonstrate their understanding of Commedia characters by performing scenes and answering questions.

Tuesday, April 2, 2013

Laura and Kirsten's Lesson


Lesson Three:
Understanding Creative License
Written By:
Kirsten King and Laura Masterson
 Unit:
Be Your Own Arthur Miller

Level:
Advanced Theatre

National Standards:
Content Standard #2: Acting by developing, communicating, and sustaining characters in improvisations and informal or formal productions
Content Standard #5: Researching by evaluating and synthesizing cultural and historical information to support artistic choices
Content Standard #7: Analyzing, critiquing, and constructing meanings from informal and formal theatre, film, television, and electronic media productions
Content Standard #8: Understanding context by analyzing the role of theatre, film, television, and electronic media in the past and the present

Educational Objective:
Students will demonstrate their understanding of how, when, and why you would use creative license by analyzing film clips, and using these principles to change the story of both a historical figure and a current event.

Materials Needed:
Three to five movie clips that demonstrate how filmmakers changed historical fact to make the story more appealing to an audience. Examples: Pocahontas, Finding Neverland, The Social Network, Argo, Abraham Lincoln Vampire Hunter, etc.
Handout with questions to discuss.
Article from The Daily Beast illustrating which parts in The Social Network weren’t accurate.

Hook:
Discuss the movie Hook, perhaps displaying the movie poster, talking about how the movie differs from the class Peter Pan story.
What did they change?
Why would they have made these changes?
What did these changes add to the movie?

Transition:
Speaking of Peter Pan, the students are going to watch a clip from another movie that changes/alters the story of how Peter Pan was written.

Movie clip: Finding Neverland (starting at 1:28:32) J.M. Barrie has brought the performance of his new play to the living room of Sylvia Llewelyn Davies, as she was too ill to attend the opening night performance. The movie shows Sylvia walking into “Neverland” and then it cuts to the next scene at her funeral.
What they changed: Sylvia wasn’t too ill to attend the opening, and she did not die that evening during a private performance in her living room. She went on to live for another six years.

It is likely that the students won’t know the true story, and why this is different. Discuss the differences in the movie and real life.
Why would they have made this change?
Is it okay that they did this, even if it isn’t historically accurate?

Activity:
Pass out strips of paper to partners with the following questions on them:
            What happened here?           
            How is this different from what really happened?
            Why did they make this change?
            How did it help/hinder the telling of the story?

Movie Trailer: Abraham Lincoln Vampire Hunter (on youtube) the movie trailer shows how as a young man, Abraham Lincoln became a vampire hunter.  
What they changed: As far as we know, Abraham Lincoln did not hunt and kill vampires.

Movie clip: Pocahontas (starting at 1:05:17) The Native Americans and the settlers have decided to go to war. Pocahontas goes to Grandmother Willow for some advice, she realizes what she has to do and rushes to stop her father from killing John Smith. She throws herself on top of him to save his life and says to her father “I love him.”
What they changed: Pocahontas did not have a romantic relationship with John Smith. She was ten or twelve years old when she met him, and they were strictly friends. She did at one point save his life, but not because of any romantic feelings between them. Disney ignored this fact to make it a better story.

Discussion:
After each movie clip, students will get with their partner and discuss the answers to the questions listed above. We will then as a class talk about questions.

Students will then have to think of another movie they have seen that takes creative liberties with historical events. Each student will tell the name of the movie in small groups, what was changed, and why.

Activity:
Have students choose a different partner, then instruct them to think of a famous historical figure. They will need to rewrite history and change something in that character’s life. Give them a few minutes to come up with something, then have partners come up to the front of the classroom and act out what they have changed. Who did you choose? What did you change? Why?


Discussion:
Have students read The Social Network article, or pre-chosen portions of it. Students will then discuss how this is different from the movie clips we watched previously.
The story they have changed isn’t ancient history. It is something that was happening then, very recent, and they still changed it to make it more interesting or better for an audience.
Why did they make certain changes?
How did the changes make it a more compelling story?

Assessment:
Students will go home and choose a current event (or they start it in class if they have time left over), something that speaks to them, and bring a newspaper clipping or computer printout of the article to class next time. They will need to, on a separate sheet of paper, detail three changes they could make to the story, and why.

Article:
Handout - one per partnership

Discussion Questions:
What happened here?           
How is this different from what really happened?
Why did they make this change?
How did it help/hinder the telling of the story?








Amelia and Sarah's Lesson Plan

Sarah Kron
Amelia Dunlap
457 Lesson Plan

Unit Title: Shakespeare through Taming of the Shrew

Unit Objective: Students will demonstrate their understanding of Shakespeare’s Taming of the Shrew by performing a collaborative documentary theatre-style scene from the play, in groups.

Class Level: Advanced (11th-12th grade)

MLE Core Principles:
1. Media Literacy Education requires active inquiry and critical thinking about the messages we receive and create.
2. Media Literacy Education expands the concept of literacy to include all forms of media (i.e., reading and writing).
6. Media Literacy Education affirms that people use their individual skills, beliefs and experiences to construct their own meanings from media messages.

Theatre Core Standards:
CONTENT STANDARD 2: Acting by developing, communicating, and sustaining characters in improvisations and informal or formal productions
CONTENT STANDARD 8: Understanding context by analyzing the role of theatre, film, television, and electronic media in the past and the present

Lesson 2: Language & Conversational Shakespeare

Objective: Students will demonstrate their ability to understand Shakespeare’s language by performing a short scene of Shakespearian dialogue.

Completed Readings: Taming of the Shrew Acts I-III National/Core Standards for Theatre:

Hook: Modern Music
  • Random modern music playing as students enter room (“Fresh Prince of Bel-Air” by Will Smith, “Stronger” by Kanye West)
  • Let students settle into class & listen, then switch to clips and call their attention to listening closely. Use whatever music is popular for your demographics
    • Discuss:
      • What is each song talking about?
      • How do the artists express their meanings?

Step 1:
  • Random groups: let them choose a random idea (from index cards) and have them come up with a song/rap/rhythmic poem (i.e. "awkward first date", "waking up late and missing a midterm", "meeting the man of your dreams", etc.)
  • Let groups perform their rap/song/rhythmic poem
    • Discuss:
      • How did you communicate meaning through your raps/poems?

Step 2:
  • Pass out excerpts of Shakespeare Scenes from Taming of the Shrew
  • Play congruent clips from 10 Things I Hate About You
    • Discuss:
      • What are the similarities and differences between the language and means of communication between the text and film?

Step 3:
  • Pass out a short modern dialogue scene and have 2-3 volunteers cold read it
  • Pass out a short Shakespeare dialogue scene and have 2-3 more volunteers cold read it
    • Discuss:
      • How can we make Shakespeare's language more accessible as we speak it/perform it?
  • In same groups as the rap have them practice for 10 minutes and then perform their 1-2 minute scenes for class

Conclusion:
  • Give students 10-15 minutes at the end of class to work on final project performance

Monday, April 1, 2013

Ashlyn and Lindsey's Lesson Plan


Ashlyn Anderson
Lindsey Rogers
Lesson 5: Audience

Grade level: Advanced English (11th or 12th grade)
Time: 80 minutes

Lesson Objective: Students will demonstrate their understanding of target audiences and media messages by analyzing examples and applying new concepts to their development of scenes from Twelfth Night.

Essential Questions:

  • What elements of a text are most likely to reach a target audience?
  • How do artists and producers select target audiences and tailor their production to successfully influence their consumers?
  • How do artists and producers manipulate media messages in their work?

Core Standards:
Theater:
Analyzing, critiquing, and constructing meanings from informal and formal theatre, film, television, and electronic media productions.
English:
Analyze how an author’s choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact.
Core Principles of Media Education:
Media Literacy Education requires active inquiry and critical thinking about the messages we receive and create.
Media Literacy Education affirms that people use their individual skills, beliefs and experiences to construct their own meanings from media messages.

Materials Needed:

  • slips of paper with Catchphrase, Pictionary, and Charades clues printed on them
  • video clips from TV commercials
  • printed magazine advertisements

Sources:


Instruction:
Step One: Intro/Hook
Distribute cues on strips of paper to individual students. Direct them to go in numerical order and follow the instructions on the paper. Begin by saying, “Who has number one?”

  1. #1 Charades: Get your classmates to guess this clue without using your voice or any other materials. Only use your body to act it out silently. Your clue is X
  2. #2 Pictionary: Get your classmates to guess this clue without using your voice or any gestures. Only use a marker and the whiteboard. Your clue is X
  3. #3 Catchphrase: Get your classmates to guess this clue without using your body gestures or any other materials. Only use words to describe the clue without using all or part of the word in your descriptions. Your clue is X

Step Two: Instruction
Were they able to guess the clues? Why or why not? Ask the students what strategies were successful in helping them guess each of the clues. Explain how the interpretation of messages can be influenced by partakers’ individual backgrounds and experiences. What happens when there’s a disconnect or miscommunication?

Step Three: Class Discussion
Because TV commercials are trying to sell a particular product or idea, they are constructed with target audiences in mind. Producers make critical decisions in order to appeal to their target audiences. Let’s watch these commercials and discuss what the target audience is for each commercial.
What aspects of the commercial make you think so?
What is especially effective for the target audience?

Step Four: Group Discussion and Presentation
Spread out magazine advertisements on a table. Divide students into small groups or pairs. Have each group select a magazine ad that interests them. Give the class 3-5 minutes to analyze the media messages in their chosen magazine ads. Ask them to be prepared to share their findings with the class. They should look for the messages in each ad that the advertising company would like their target audience to get from the images, i.e. “This will make you attractive,” or “This product will help you make friends,” etc. Give each group 2-3 minutes to present their ideas and answer questions about the specific qualities of the ad.

  1. Which design elements, slogans, celebrities, or appeals are present to promote the media message?
  2. Is there a chance this message could be miscommunicated?
  3. Is this media message more effective for some audiences than others?
  4. What prior backgrounds contribute to the interpretation of these media?

Step Five: Group Work
Give students the remaining time (approximately 30 minutes) to work on their scene from Twelfth Night. During this time, students should be focusing specifically on what they are going to do to reach their audience (their classmates). While working, students should consider the following questions:

  1. What is your scene’s target audience?
  2. What are ways you can reach your audience? (Keep in mind things such as costume, language, bringing in pop culture, etc.)
  3. What two things are your group doing to reach that audience?
  4. If successful, what media message will your audience get from your performance?
  5. Do you see any potential problems in reaching your audience?

By the end of their time working together, students should have not only made progress on their scene, but should have come up with at least two things they plan on doing in their scene to reach their audience. Before leaving, groups need to turn in a sheet of paper with the two things they plan on doing listed and why they think adding these two features to their production will help them more successfully reach their audience.

Step Six: Assessment
Students can be assessed on their completion of the blog response prompt:

Today in class we discussed audience. In your groups, you should have figured out at least two things you plan on doing in your scene in order to reach your audience (mainly, your classmates). Now, to show that you understand the things we talked about today, pick one of the following audiences (listed below) and pretend that you are performing your scene for them instead. What would you do differently to reach this audience? What would you do the same? Answer these questions and then, like we did in class, come up with two things in particular that you would do to reach this audience. Post is due by midnight.

Pick one of the following audiences to write about:

  1. Your grandparents
  2. Pirates
  3. A classroom at Hogwarts
  4. The animals on a farm
  5. A preschool class (kids ages 3-5)

Wednesday, March 27, 2013

Pictures (MEDIA) for Creep story.



Unexpected Events . . . Two Moments


Worst Date MASH UP STORIES

My worst date was Valentines Day two years ago.

So my old roommates little brother got back from his mission and he asked me out. I thought, sure, why not? Because who doesn't want a free dinner? He said that he wanted to take me to a Hale Center Theater show..okay!

I had been dating this guy for a few months at this point. So we had this big date planned, it was supposed to be a surprise, I didn’t know where we were going. And we ended up driving out to his family’s cabin at sundance, and he had brought Paranormal Activity 2 to watch. So, very romantic.

The drive was like and hour and a half, and we got there a little late, but it was good. The show was great, up until the second act where I started getting that "he's going to hold my hand" vibe,

Twenty minutes into the movie, he is dead asleep. He is actually snoring. I wake him up to tell him I have to go to the bathroom and he then tells me that I actually need have to go outside because his family shuts off the water to their pipes in the winter so they won’t freeze. Apparently that’s normal.

So I was gripping the program in my hands for dear life, and I'm like, "don't touch me! Don't touch me! Don't touch me!!" and he still reaches over, takes my hand away from the program, and holds it. First date. Blind date. Not okay.  

3 Monologues

Alexandria:
Sooo....I sorta have this missionary that I'm waiting for. Yeah...*giggles* But anyway! The day before he left, I went over to his house to say goodbye and we were hugging and crying and I kissed him and stuff and I got back in my car, ready to leave...and I backed into his mailbox. His mailbox is brick, and I knocked it over...yeeeeaaahh. Didn't scratch the car, but I knocked over the mailbox, and he made me stay there until his parents got home! They were really mad. So...I didn't exactly get to say goodbye to him in the most romantic way, but at least I got to spend more time with him....

Isabella:
So me and my family were like...crossing the street, and I was the last one in line. Right as I was in the middle of the crosswalk, I dropped my purse. So I went back to get it, and I like...fell on my butt! I don't even know how I did, like...I was rolling on the ground and my hair was in my face and like...traffic was backed up and it was really embarrassing, but luckily nobody in my family saw.

Kristen:
So my old roommates little brother got back from his mission in August, and it was October...Yeah, he was fresh off. He asked out my roommate, but she was too busy, so she told him to ask me out. I thought, sure, why not? Because who doesn't want a free dinner? So we started texting back and forth and he said that he wanted to take me to a Hale Center Theater show, no biggie. So he lived in Murray, I lived in Provo, and the theater was in Salt Lake...so he drove all the way down, picked me up, and drove all the way back up to Salt Lake. The drive was like and hour and a half, and we got there a little late, but it was good. The show was great, and then we hit intermission.

At intermission, he wanted to take one of those pictures with me. You know? The kind where you hold the camera yourself and his arm was around me...and it was kinda weird, but I was like...whatever. So the second act starts, and I was getting that "he's going to touch me" vibe, so I was gripping the program in my hands for dear life, and I'm like, "don't touch me! Don't touch me! Don't touch me!!" and he still reaches over, takes my hand away from the program, and holds it.  now, I'm thinking to myself, "We've still got the rest of the play, dinner, and the drive home. Uh-uh". So I leaned over and said to him, "thanks, but that's a little too fast for me" and he was like, "Oh! Sorry!" and he let. Go.

So then dinner. For some reason, seeing the show 9 to 5 makes me go back into my southern accent...so I had a southern accent during dinner which made me look like this dumb blond bimbo. So that was...cool. To make matters worse, the waiter was flirting with me and  this kid kept pointing at things with his lips.

...Let me explain that. On his mission, a social custom was to point at things with your lips, so during the whole dinner, he's pointing at things with his lips like...*demonstrates* and it was so...eugh! It was just weird.

So finally he drives me home, and he asked for a second date. We went to the freshman dance here on campus where I made a great effort at giving off bad vibes. It must have worked because that was the last date I ever went on with him.